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    Jaws The Revenge

    ‘Jaws: The Revenge’ Retro: The Epitome of “So Bad It’s Good”

    Stephen Rosenberg -
    God Told Me To

    ‘God Told Me To’ (1976) Blu-Ray Review: A Larry Cohen Masterpiece

    Corey Danna -

    Isabelle Fuhrman Returns as Esther in ‘Orphan: First Kill’ Trailer

    Jeremy Dick -
    Rom Zombie's The Munsters Trailer

    Rob Zombie’s ‘The Munsters’ Trailer Teases the ‘Greatest Love Story Ever...

    Jeremy Dick -

    ‘What Moves the Dead’ Book Review: An Eerie, Scientific Retelling of...

    Dark Nature

    ‘Dark Nature’ Releases First Clip Ahead of Fantasia Film Festival Premiere

    Melissa Hannon -
    This Is Gwar on Shudder Still

    ‘This Is GWAR:’ 8 Surprising Facts From the Documentary

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    The Munsters NECA

    NECA Unveils Rob Zombie’s ‘The Munsters’ Figures

    Melissa Hannon -
    Kurt Russell in The Thing

    John Carpenter’s ‘The Thing’ Still Stands Among Isolation Horror’s Best

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    Murdercise Feature

    ‘Murdercise’ Is a Retro-Style Horror Film Currently Funding on IndieGoGo

    Corey Danna -
    Edge of Sanity Starring Anthony Perkins

    ‘Edge of Sanity’ (1989) Blu-Ray Review: Anthony Perkins Is Dr. Jekyll/Mr....

    Corey Danna -

    ‘Vampire’s Kiss’ (1988) Blu-Ray Review: Nicolas Cage at His Most Outlandish

    Corey Danna -
    Tentacles (1977) 2

    Revisiting ‘Tentacles’ (1977): This One Has Tasted Blood

    Catie Moyer -
    Hi-Fear Review

    Review: ‘Hi-Fear’ Is a Coast-To-Coast Homegrown Horror Show

    Beware of Dario Argento Films

    Film at Lincoln Center to Host ‘Beware of Dario Argento: A...

    Melissa Hannon -
    This Is Gwar on Shudder

    ‘This Is GWAR’ Documentary Is Coming to Shudder This July

    Melissa Hannon -
    Scorn Game_Feature

    Horror Game ‘Scorn’ Unveils Doug Bradley-Narrated Gameplay Trailer

    Melissa Hannon -
    Predator 1987

    ‘Predator’ Stands Tall as an Action-Flick Masterpiece

    John Odette -

    ‘Uncle Sam’ Blu-ray Review: Patriotic Slasher Arrives in 4K for the...

    Corey Danna -
    Death Count

    Review: ‘Death Count’ Channels ‘Saw’ to Deliver the Pain

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