In the world of horror music, no name carries more weight than Goblin. The Italian progressive-rock act is responsible for some of the most iconic and unique horror soundtracks in history. From the ethereal and haunting score of Dario Argento’s Suspiria to the infectious marching themes of George Romero’s Dawn of the Dead to the mysterious jazzy score of Profondo Rosso. Goblin’s sound is integral to the atmosphere of so many landmark Giallo and classic horror films.
We at Horror Geek Life were absolutely honored to catch up with Goblin to discuss their history and their new recording, FEARLESS (37513 Zombie Ave.).
Horror Geek Life: Throughout the years, Goblin has seen many line-up changes, and even currently, there are two active versions of Goblin. What can you tell us about the strength of this incarnation of Goblin, and why do you think it is unique to other versions of the band, past and present?
Goblin: Our current lineup is Maurizio Guarini, Massimo Morante, Fabio Pignatelli, and Agostino Marangolo. That means 4/5 of the original band from 1975-1976. I think this is enough to say that this is the real band. The member that left made his own band, pretending to be an incarnation, but it’s actually just him with his previous band Demonia. The other band is definitely more metal. Our lineup has all the elements that made the sound of Goblin unique.
HGL: In 2013, the band made its first US/Canadian tour, and ever since, there have been many appearances in the United States. Can you tell us about that tour and what it was like to play for audiences years later?
Goblin: That first 2013 tour was huge. After the first tours in ’75-’76, and after touring the world restarting in 2009, we performed in the US in October 2013 for the first time ever! Most of the venues were sold out way in advance. Fans had the patience to wait for us for many years, and they didn’t forget. After that first tour, we immediately had to add more dates in December 2013.
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For this second leg, we got on board the original rhythm section, Fabio and Agostino, which made a big difference in terms of sound. We toured North America again in 2014 (where we recorded the live album Austinato) and in 2017 as well. Every time we get a great response, the energy we receive from the audience is incredible.
HGL: As someone who was lucky enough to catch a show on your 2013 tour, I must say it was absolutely unforgettable. Your new album FEARLESS (37513 Zombie Ave.) will feature new versions of songs, from the classic Goblin soundtracks to Zombie (aka Dawn of the Dead) and Suspiria. What can fans expect from these new recordings of such iconic songs?
Goblin: We decided to release this album to celebrate the 40th anniversary of Dawn of the Dead, adding two tracks from Suspiria (for which we didn’t release a celebratory 40th album the year before). We kept the same atmosphere, the sounds are much cleaner compared to the original version, and we added some orchestral touches.
Most of our fans were not even born 40 years ago, so we consider this a brand new album for the new generation that didn’t have the chance to hear our music at that time. On top of the main themes, we recorded less-known tracks as part of the score, so there is something to discover for established fans as well.
HGL: The soundtracks to films like Deep Red, Suspiria, and amazing albums like Roller, are just as popular now as they were 40 years ago. As mentioned, they are still finding new fans all the time. In the band’s opinion, what is it about this music that has made it withstand the test of time with listeners?
Goblin: Our music is unique because we individually started from different experiences, and we have different tastes. Each of us, alone, would make a totally different album. When we are able to mix together all these elements, somehow incompatible, the magic happens. It’s a mix of elements coming from rock, funk, progressive, electronic, and even a bit of jazz and classical. It’s not always easy.
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Within the group, we have to individually be smart enough to avoid blocking or discarding each other’s ideas just because we don’t like them, and sometimes is not easy to stay open-minded. Regarding the popularity of our old work, I don’t think music expires. Especially in dark periods like this, in terms of ideas (my personal opinion), people are looking at something more creative, no matter if it was done 40 or 100 years ago.
HGL: This year marks the 40th anniversary of Dawn of the Dead and its legendary soundtrack. Take us back to the recording of that score. What are some of your memories of working on the music for this film?
Goblin: We never discuss the music with George Romero. Actually, we never met him at that time. Dario Argento produced the film and asked Goblin to redo the soundtrack (initially released with a different score).
HGL: Lastly, what’s next for Goblin? Are there any plans to record more material or to take the songs from FEARLESS on the road?
Goblin: Both, but no exact plan for now. For sure, we will start working on new material soon, with no rush. A Fearless tour is in our plans as well, we are thinking of a different kind of concert, with some 3D effects or some VR, to get the audience more involved. Still exploring the possibilities before making a plan.
Hopefully, something will finalize before the end of 2019. You can always check on our website, www.goblinofficial.com, for news and live activity.